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Statement The
work responds to the landscape and the sense of place within the context of
how we define our existence. We like to know exactly where we are in relation
to something else. This could be a reference to a map where we can see where
we are, or it could be in our social strata of what class we see ourselves
in. The work explores the way of making something familiar through marking
it, and making it have a place. I see our existence as being metaphysical*
and even without ownership we somehow have a need to make a proxy ownership
of the space we inhabit. Through the work process which ensues from these
aims I seek to construct a catalyst for an intellectual experience that becomes
the domain of the sensations received through the eye. i.e. the concept is
formed by the visual experience.
*A Dictionary of Philosophy- p 230 "From Kant onwards many philosophers have held that the proper outlet of the metaphysical impulse lies in the systematic study, not of reality but of the fundamental structure of our thought about reality." |
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| John Brown | ||||||||||
| Merthyr
2002 (Martyr 2002) oil paint, canvas, pitch, varnish, fleece, stone construction |
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